My work explores the interstices between visual and textual language with a critical eye on their roles in our culture. It is deeply informed by cinematic, poetic, and documentary practice and engages subject matter through disruption of content and form, fragmentation of narrative, and radical juxtaposition of visual and textual elements. Through appropriation of archival source material like film footage, audio recordings, and written texts I investigate language as a cultural artifact, question the intent in its formulation and use, and through techniques of disruption and juxtaposition seek to subvert the source material’s intended interpretation.
