Anthologies

  • 2021 – “Drying Rack with Espresso Pot” – DISGUST: Unhealthy Practices exhibition catalog – East Window Gallery
  • 2015 – “Elegy for Dead Languages,” “Gathering Breath,” “Hood, Handgun, Power Drill,” “In the Event You Receive This” – Nuova Poesia Americana: Chicago & the Midwest – Arnoldo Mondadori Publishing (Milan, Italy)
  • 2015 – “Weird Pretty Hand” and Other Poems – Normal 2014: Selected works from the First Annual David Foster Wallace Conference – Lit Fest Press
  • 2012 – “Seasonality of Violence” – City of the Big Shoulders – University of Iowa Press
  • 2009 – “Gathering Breath” – A Writers’ Congress: Chicago Poets on the Inauguration of Barack Obama – DePaul University Press
  • 2009 – “Gathering Breath” – While the He/art Pants: Poetic Responses to the 2008 American Elections – Fieralingue
  • 2004 – “Blood and Oil,” “Kimono Tattoo” – Witness: Anthology of Poetry – Serengeti Press

Journals

  • 2023 “Blessing and cursing, Power of,” “Fall of aerolites,” “Somerset omen, The,” “Dream of a child, Warning given in the,” “Causation, The law of” – Broken Lens Journal
  • 2023 “Margot,” “Barcode, Notepad, Hospital Bracelet,” “Hell-On,” “Caffè Macchiato, Cloth Napkin,” “Three Neck Distilling Flask,” “Flag on Pole, Inert” – Posit
  • 2022 “Godzilla vs. Ghidorah, S.H. Monster Arts,” “Bela Lugosi’s Dead” – FIVES: A Companion to Denver Quarterly
  • 2022 – “Undead Ogre, Hand Painted,” “Resin Skull with Chicago Skyline,” “Carved Wooden Doll Head,” “Test Card, Extraction Reagent, Nasal Swab,” “Little Free Library, Sunrise Dr.” – Matter
  • 2022 – “Bookshelf with Plague Doll & Candles,” “Masks, Gloves, Goggles,” “Tea, Cutting Board, Butcher Knife,” “Self Portrait, in Fragments,” “Air Filter, Fan, Power Strip” – The Indianapolis Review
  • 2022 – “Skin, Syringe, Latex Gloves,” “Stunted Apples, Homegrown” – Unlost Journal
  • 2021 – “Countertop, Espresso, Peppercorns,” “Cutting Board & Chamomile,” “Countertop with Dirty Dishes,” “Tattoo, Wrist, Scars,” “Medicinal Tea, 4:00 a.m.,” “Self-Portrait, 4:00 a.m.,” “Stockpile with Non-Perishable Food,” “Mortar & Pestle, with Oranges,” “Midnight, with Skin & Ink,” “Knife Block with Flask” – Experiment-O
  • 2021 – “Tea Kettle, Mid-Century,” “Pulmicort, Ventolin, Prednisone,” “Rx Bottles, Bedspread,” “42 La Calavera” – FERAL
  • 2021 – “Bookshelf with Dante & Wax Seal,” “Unpacking,” “Nightstand with Gargoyle, Kava, and CBD Oil,” “Test Card, Swab, Single Purple Line,” “Coffee, with Course in General Linguistics” – Harpy Hybrid Review
  • 2021 – “Self-Portrait with Pixies,” “Self-Portrait with Bauhaus,” “Mask, Red” – Heavy Feather Review
  • 2021 – “Three of Swords,” “Living Room, with Stage Props,” “Parking Lot, with Discarded Surgical Mask,” “Green Glass Bottle, Christmas Ornaments,” “Roadside, Hiking Shoe, Discarded Mask” – IceFloe Press: Pandemic Dispatches
  • 2021 – “Cabinet with Hand Sanitizer & Alcohol Wipes,” “Refrigerator with Cup, Near Empty” – Imposter
  • 2021 – “Trash Can with Cat Vomit & Coffee Grounds,” “Untitled” – Scapegoat Review
  • 2021 – “Front Room with Dried Eucalyptus & Vinyl” – Star 82 Review
  • 2021 – “Closet with Raincoat & Plastic Crate,” “Skeleton, Seated, with Coriander,” “Self Portrait, with Planets,” “Go Bag, Jump Starter, Bottled Water,” “Cacti through Closed Window” – The Conjuncture
  • 2021 – “Bare Floor, with Coat Hanger” – The New Verse News
  • 2021 – “String Lights, Brass Coffee Mill,” “Tattoo with Tentacles,” “Chiromancy & Kali” – Train
  • 2020 – “My Sunset Gun,” multimedia performance (archival recording) – New Orleans Poetry Festival (Co)Videos
  • 2020 – “[Sidenote] The practical activity of externalization,” poem – Tattooed Poets Project
  • 2019 – “War Rug,” video poem – Tupelo Quarterly
  • 2019 – “Mueller Report Video Project: Volume 1 p.46″ – 1913
  • 2018 – “Waiting (:60)” – Rise Up Review
  • 2018 – “Policy.09,” “Policy.10,” “Policy.11” – Dream Pop Press
  • 2018 – “Active Conflict Zones.01,” “Active Conflict Zones.02,” “Active Conflict Zones.03,” “Active Conflict Zones.04,” “Active Conflict Zones.05,” multimedia visual poetry – Cleaver Magazine
  • 2018 – “Footnote” – Matter
  • 2018 – “Issue #1-Re-identification of an Individual’s Race and Ethnicity,” “The Maggot Allegations,” “Nature and Quality of Intrusion,” “DEFINITIONS” – FIVE:2:ONE
  • 2018 – “Policy.13,” “Policy.14,” “Policy.15” – Otoliths
  • 2016 – “from #pxc001 (a Twitter-based collaboration)” – The Offing
  • 2015 – “Machines of Dissymmetry,” critical multimedia performance – Technoculture
  • 2015 – “Priority 1 (threats to national security, border security, and public safety),” “Q. Es fácil comprender lo que el agente está diciendo,” “from Hand-Held Stun Gun for Incapacitating a Human Target” – SunStruck Magazine
  • 2014 – “[ from kaustos ‘burnt’ (from kaiein ‘to burn’) ] 2.0b1, 2.0b2, 2.0b3, 2.0b4, 2.0b5, 2.0b6, 2.0b7” – Otoliths
  • 2014 – “sin, concupiscence, &c.” – The California Journal of Poetics
  • 2014 – “Aurora [ 4 ],” “Aurora [ 5 ],” “Aurora [ 6 ]” – Moss Trill
  • 2014 – “Semi-peripheral: Spaces of Deviation, Abjection, Madness” – New Academia
  • 2013 – “My Sunset Gun,” multimedia performance – Certain Circuits
  • 2013 – “Weird Pretty Hand,” “The Fact of Having a Body,” “Fucking on the Brockengespenst” – Found Poetry Review
  • 2013 – “[ from kaustos ‘burnt’ (from kaiein ‘to burn’) ] 2.0b8, 2.0b9, 2.0b10, 2.0b11, 2.0b12, 2.0b13, 2.0b14, 2.0b15” – Opon
  • 2013 – “[ from kaustos ‘burnt’ (from kaiein ‘to burn’) ] 1.0b13, 1.0b14, 1.0b15” – Clinic
  • 2013 – “[ from kaustos ‘burnt’ (from kaiein ‘to burn’) ] 1.0b16 & 1.0b17” – SpringGun
  • 2013 – “[ from kaustos ‘burnt’ (from kaiein ‘to burn’) ] 1.0b1, 1.0b2, 1.0b3, 1.0b4, 1.0b5” – E·ratio
  • 2013 – “[ from kaustos ‘burnt’ (from kaiein ‘to burn’) ] 1.0b6, 1.0b7, 1.0b9” – On Barcelona
  • 2013 – “[ from kaustos ‘burnt’ (from kaiein ‘to burn’) ] 1.0b8” – Poets & Artists
  • 2013 – “[ from kaustos ‘burnt’ (from kaiein ‘to burn’) ] 1.0b10, 1.0b11, 1.0b12” – Boston Poetry Magazine
  • 2013 – “Aurora [ 1 ],” “Aurora [ 2 ],” “Aurora [ 3 ]” – Lightning’d Press
  • 2012 – “Flight Characteristics of Human Blood and Stain Patterns” – OmniVerse
  • 2012 – “Aurora [ 7 ],” “Aurora [ 8 ],” “Aurora [ 9 ]” – Otoliths
  • 2011 – “Variations on Want: Sequence II,” poetry film – BathHouse Hypermedia Journal
  • 2011 – “Variations on Want: Sequence III” – Ping Pong
  • 2011 – “An Account From Which Skulls Were Taken (i),” “An Account From Which Skulls Were Taken (iii),” “Oscillations (i)” – Homestead Review
  • 2011 – “Variations on Want: Sequence I” – VLAK Magazine (Prague)
  • 2011 – “INT. MEDICINE CABINET” – Another Chicago Magazine
  • 2011 – “Oscillations (vi),” “Oscillations (vii),” “Oscillations (viii)” – Spirits
  • 2011 – “An Account From Which Skulls Were Taken (ii)” and “Oscillations (iv)” – Fox Chase Review
  • 2011 – Tiziano Fratus, Francesco Levato (translator) – “The Molossus: MOUTH II | old documents: IMAGE II” – Poetry International
  • 2011 – Fabiano Alborghetti, Francesco Levato (translator) – “The Opposite Shore” – Ezra
  • 2010 – “Do (not) touch,” experimental film – Slope
  • 2010 – “War Rug,” poetry film – Tygerburning
  • 2010 – “Endless, Beautiful, Exact” – Cordite Poetry Review (Australia)
  • 2010 – Tiziano Fratus, Francesco Levato (translator) – “The Molossus: MOUTH II | old documents: IMAGE III” – LA Review
  • 2009 – “Knotting of Rope,” poetry film – Drunken Boat
  • 2009 – “Blood, Ink, Patron of Thieves,” and “Flight Characteristics of Human Blood and Stain Patterns” – Scapegoat Review
  • 2009 – “Elegy for Dead Languages” – Seven Corners
  • 2009 – “War Rug” (excerpt, pages 1-12 reprinted, pages 13-15 and 30-37) – Big Bridge
  • 2009 – “War Rug” (excerpt printed as a broadside) – Broadsided Press
  • 2009 – “War Rug” (excerpt, pages 44-45) – Fact-Simile
  • 2009 – “War Rug” (excerpt, pages 1-3) translated into Italian – LUDWIG (Italy)
  • 2008 – “Bootstrap, Pyre, Shattered Teeth” – Moria
  • 2008 – “The Blue Lit Stage” – The Progressive
  • 2008 – “War Rug” (excerpt, pages 1-12) – Xcp: Cross Cultural Poetics
  • 2007 – “An Act of Faith,” “The Knotting of Rope,” and “The Mechanics of Plastic” – Out of Line
  • 2007 – “Fragments of a Name,” “In the Orchard, Underfoot,” and “Photography 101” – Arabesques Review
  • 2007 – “Shadows of East End” C- itizen 32 (London)
  • 2007 – “The Right to Remain” – Versal (Amsterdam)
  • 2006 – “Made in the USA” – Sharkforum
  • 2006 – “The Impermanence of Concrete” – Spire Magazine
  • 2006 – “Wake the Fuck Up” – Cesium Magazine
  • 2006 – “Wake the Fuck Up” audio – Spoken War
  • 2005 – “Kimono Tattoo” – Snow Monkey
  • 2005 – “Morning Light” – After Hours
  • 2004 – “Fourth and Goal” – Newtopia Magazine
  • 2004 – “Fourth and Goal” – Voices in Wartime
  • 2004 – “Halogen Drift,” “The Places In-between,” and “Urban Renewal” – XCP: Streetnotes
  • 2003 – “Blood and Oil” – Poets Against War
  • 2002 – “Last Call” and “Made in the USA” – Niederngasse
  • 2002 – “The Places In-between,” “Truck Stop a.m.,” and “Urban Renewal” – Outsider Ink